On Memory

Stage Music

Promotional Film

Ambient / Cinematic

A stage-music work shaped through memory, dramatic space, and a suite composed before the individual cues.

A young girl holding an illustrated storybook in soft natural light, created as a conceptual visual for On Memory.

A Suite Before the Cues

Before composing the individual cues, Masashi Hasegawa first wrote a single suite for the production. It established the musical arc, emotional direction, and sense of space that the stage work would inhabit. The suite became the foundation from which the later pieces could develop.

One Musical World

The intention was not to make every cue sound alike. It was to let music for different scenes feel as though it belonged to the same world. By defining that world first, each cue could change freely while retaining a shared sense of direction.

From Suite to Scene

On Memory was used in promotional film material and adapted for scenes within the stage production. Rather than remaining fixed as one piece, the music changed its form in response to the work.

Creative Collaboration

Director Naotaka Hiratsuka invited Masashi Hasegawa to create the music for the production.

The collaboration began with a shared understanding that music should not simply accompany a scene, but listen to what remains unspoken within it.

The project became the beginning of an ongoing creative relationship built on trust.

Listening positions.

On Memory

Used in promotional film material and adapted for scenes within the stage production.

Listen to

ガマ王子vsザリガニ魔人 SUITE

UNRELEASED SUITEWEBSITE EXCLUSIVE

An unreleased suite composed before the individual cues to establish the production’s musical arc, emotional direction, and spatial atmosphere.

Listen to

Credits

Script
後藤ひろひと
Direction
平塚直隆(オイスターズ)
Music
Masashi Hasegawa

Before the music became individual scenes, it existed as one continuous world.

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